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The Guide to MIDI Orchestration 4e, by Paul Gilreath
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Since its initial release in 1997, Paul Gilreath's The Guide to MIDI Orchestration has been the premiere text on creating realistic emulations of a symphony orchestra using samplers and computer recording techniques. Now in its fourth edition, The Guide to MIDI Orchestration explains how to merge this ever-expanding technology with the artistry of orchestration to produce the most lifelike recordings possible. The book is written for composers, arrangers, and MIDI musicians of all levels, and will be helpful to game composers, film and television composers, traditional orchestral composers, teachers, instructors, and the serious hobbyist. Highlights of the book include:
- Introduction to and overview of the orchestra
- In-depth discussions of each orchestral section
- Detailed information on each instrument's timbre, range and uses
- Discussions of orchestration techniques
- Demonstrations on how to build an orchestration from the ground up
- Presentations on techniques for achieving balance and musical interest
- Setup and recommendations for software and equipment
- Details on setting up a multi-computer network for use as slave computers
- Overview of software sampler and Digital Audio Workstation software
- Presentation of note entry methods
- DAW and sampler template implementation
- Detailed steps for achieving realistic reverberation and instrument placement
- Start to finish steps to achieve a final mix
- Insightful interviews with top mastering engineers
Visit
www.focalpress.com/cw/gilreath-9780240814131/
for updates and enhanced content including PDFs of orchestral library reviews and additional written content, audio files of musical examples from the book, video demonstrations, and much more.
- Sales Rank: #756814 in Books
- Brand: MusicWorks
- Published on: 2010-03-25
- Original language: English
- Number of items: 1
- Dimensions: 9.42" h x 1.42" w x 7.80" l, 3.47 pounds
- Binding: Hardcover
- 608 pages
From the Back Cover
Since its initial release in 1997, Paul Gilreath's The Guide to MIDI Orchestration has been the premiere text on creating realistic emulations of a symphony orchestra using samplers and computer recording techniques. Now in its fourth edition, The Guide to MIDI Orchestration explains how to merge this ever-expanding technology with the artistry of orchestration to produce the most lifelike recordings possible. The book is written for composers, arrangers, and MIDI musicians of all levels, and will be helpful to game composers, film and television composers, traditional orchestral composers, teachers, instructors, and the serious hobbyist. Highlights of the book include:
- Introduction to and overview of the orchestra
- In-depth discussions of each orchestral section
- Detailed information on each instrument's timbre, range and uses
- Discussions of orchestration techniques
- Demonstrations on how to build an orchestration from the ground up
- Presentations on techniques for achieving balance and musical interest
- Setup and recommendations for software and equipment
- Details on setting up a multi-computer network for use as slave computers
- Overview of software sampler and Digital Audio Workstation software
- Presentation of note entry methods
- DAW and sampler template implementation
- Detailed steps for achieving realistic reverberation and instrument placement
- Start to finish steps to achieve a final mix
- Insightful interviews with top mastering engineers
Visit www.midi-orchestration.com for updates and enhanced content including PDFs of orchestral library reviews and additional written content, audio files of musical examples from the book, video demonstrations, and much more.
About the Author
Paul Gilreath is an award-winning composer who creates original music in a variety of styles for video games, film, television, trailers, and broadcast advertising. Gilreath has written theme, underscore and broadcast advertising music for a wide range of clients that include NBC, CBS, Cartoon Network, ESPN, American Airlines and many others. His music has been used multiple times for the Olympic Games broadcasts on NBC and several PGA tournaments on NBC. He scored the feature film No Retreat No Surrender starring Jean Claude Van Damme, Knights of the City starring Curtis Mayfield, and Making Contact directed by Roland Emmerich (Independence Day).
Most helpful customer reviews
3 of 3 people found the following review helpful.
Good Starting Point for Two Groups of Musicians
By frankp93
I received a free item to review.
Those already familiar with traditional orchestration or jazz arranging looking to move into the electronic realm can skim the early chapters on instrumentation and get right to the meat of technical setup, the specifics of sample libraries, scoring techniques and formulating a workflow for the task at hand.
Musicians coming from an electronic music background looking to broaden their instrumental pallet to include digital orchestration will find Galreath’s book to be one of a small handful of worthwhile texts on the subject. As useful as it is however, I’d strongly recommend (and I think Galreath would agree) first or concurrently studying a traditional orchestration text (i.e. Adler, Kennan, Forsyth, Piston) as well as some of the better-known jazz and commercial arranging texts (i.e. Sebesky, Mancini, Israels, Corzine, Pease and Pulig (Berklee), Grove ).
The challenge of many orchestration books is twofold: To separate ‘instrumentation’ – the largely static body of technical information about instrument ranges and common practice playing techniques from ‘orchestration in the whole’: Ensemble scoring techniques, musical arrangement and transcription considerations, instrumental combinations, color and timbre blending, as well as practical performance considerations.
Galreath’s book attempts to cover both bases and I have to say I wish he’d spent less time on instrumentation – if only to allow for even more depth in the scoring techniques, libraries, workflow and other areas that really set this book apart.
His examples lean toward ‘traditional’ orchestral techniques: clear demarcation of theme and accompaniment, divisi parts, arched dynamics. That’s musically where I’m coming from as well and I found his craft solid and well-evident – worth devoting time to study.
I have to say I still feel the one ‘indispensable’ book on MIDI orchestration has yet to be written but Galreath’s can certainly vie for top honors.
I also own the previous edition; the changes I can detect are mostly refinements and technical updating rather than any fundamental reorganization.
0 of 0 people found the following review helpful.
This information would be easily understood by anyone with basic music knowledge
By 6stringsurfersk8er
This book serves as a very helpful reference book for anyone interested in scoring orchestra using MIDI. There are very helpful explanations of the different orchestral sections, and how the individual instruments within them are used. This information would be easily understood by anyone with basic music knowledge, and also help with orchestral scoring in general. Next, the book explores how to achieve realistic results using MIDI. Although technology is progressing very fast, this book is still very relevant. In fact, like most studio equipment, getting good results with less resources makes you better at using professional tools. Having the knowledge in this book will only make you better at understanding the powerful plugins available today, such as the ones being created by EastWest.
2 of 2 people found the following review helpful.
An OK Book For Someone Just Starting Out
By Siebert Tenseven
I already had 15 years using MIDI for orchestration and thought this book would have some useful tips, but it seems like I already knew most of what is in here from other sources and my own experience. This book would be useful for someone just starting out. Other than that, it's just sort of OK. A lot of the material is starting to become outdated, but it's still useful for people who know nothing at all about this craft. Unfortunately the web site for this book and author are not kept up to date, so the examples in the book can not be accessed. I have found a lot more useful information at the VI-Control forum on the internet.
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